Edgar Degas After the Bath painting

Edgar Degas After the Bath paintingFrida Kahlo What the Water Gave Me paintingFrida Kahlo The Suicide of Dorothy Hale painting
among them, one wanders whose furrowed brow sets him apart from the cheerful crowd: a tall man in loose white robes, he'd stand almost a full head higher than Mahound. His beard is shaped close to his slanting, high--boned face; his gait contains the lilt, the deadly elegance of power. What's he called? -- The vision yields his name eventually; it, too, is changed by the dream. Here he is, Karim Abu Simbel, Grandee of Jahilia, husband to the ferocious, beautiful Hind. Head of the ruling council of the city, rich beyond numbering, owner of the lucrative temples at the in camels, comptroller of caravans, his wife the greatest beauty in the land: what could shake the certainties of such a man? And yet, for Abu Simbel, too, a crisis is approaching. A name gnaws at him, and you can guess what it is, Mahound Mahound Mahound.
O the splendour of the fairgrounds of Jahilia! Here in vast scented tents are arrays of spices, of senna leaves, of fragrant woods; here the perfume vendors can be found, competing for the pilgrims' noses, and for their wallets, too